Anthology films typically consist of several shorter segments, often unified by a common theme or overarching narrative. Some of them feature multiple directors, like 1989’s New York Stories, which showcased the works of Martin Scorsese, Francis Ford Coppola, and Woody Allen.
Eros (2004), named after the Greek god of love and desire, delves into various interpretations of eroticism. This international project features contributions from Hong Kong’s Wong Kar-wai, America’s Steven Soderbergh (who replaced Spain’s Pedro Almodóvar), and Italy’s Michelangelo Antonioni.
The anthology feels uneven in terms of stature. Antonioni, celebrated for 1960s masterpieces like L’Avventura and Blow-up, was unquestionably the biggest name at the time, with Wong and Soderbergh taking part largely out of admiration for his work.
It’s said that Soderbergh simply wanted to share a poster with the Italian legend, while Wong expressed deep reverence for Antonioni, calling him “the guiding light for me and filmmakers of my generation,” adding that it was an honor to participate in the project and express his gratitude.
