‘Klara and the Sun’ Review: Jenna Ortega Leads a Bright but Overly Sweet AI Fable
Jenna Ortega stars as an artificial companion in Klara and the Sun, Taika Waititi’s warm but uneven adaptation of Kazuo Ishiguro’s acclaimed novel.
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Bambi Lok's move from television to psychology studies in Canada offers a wider lesson about talent retention and career mobility in entertainment.
Tom Cruise’s Digger is heading towards a weak US$7.5 million domestic opening while Verity dominates with an estimated US$33 million debut.
Ben Affleck says AI was used extensively in his Netflix film Animals, but argues the technology should support creative work rather than replace people.
After a Best Song win in Kuching, Siti Nurhaliza says AIM remains an important platform for recognising the creative teams behind Malaysian music.
Netflix has raised subscription prices in Malaysia, testing consumers’ willingness to absorb higher entertainment costs as global streaming platforms prioritise revenue growth, content returns and account monetisation.
Celine Dion’s full-concert return in Paris highlights the commercial power and execution risks surrounding a major entertainment residency after illness.
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Former Enhypen member Evan has spoken publicly about surviving childhood cancer, renewing scrutiny of health, privacy and duty of care in South Korea’s entertainment industry.
New films about technology leaders arrive as the same companies deepen their financial and strategic influence over studios, distribution and creative production.
The global entertainment industry and cultural institutions worldwide are celebrating the monumental musical, entrepreneurial, and philanthropic legacy of Dolly Parton.